Broota creates surreal dialogues by using distinct images and juxtaposing them into a carefully edited and perfected vision.
Engaging the medium and the subject, Broota has photographed his own body almost obsessively, capturing its palpability, the breathing pores of his skin, the feel of its wholeness with focused attention on the parts, especially areas if connectedness and disjuncture. Despite its precision and realism, Broota has never captured the body as an object of display but as a subject nuanced with its perplexity and inherent complexity. For him, the sensual and the grotesque, strength and fragility, growth and decay all have been engaging aspects of the human (male) body that he has been preoccupied with for decades also through his painting.
– Roobina Karode, This End to the Other
Between the Lines
42 x 63in, 2010
Cutting Edge
38 x 59in, 2010
From One End to the Other
40 x 60in, 2010
Untitled-56
34 x 50in
Miniatures in memory-1-35×52-2010
Miniatures in memory-2- 23X58
Nature Tapestries-2
39 x 59in, 2010
Nature Tapestries-I
39 x 59in, 2010
No dog no elephant no mouse-43×58-5-2009
No man no horse no parrot 42×77-2010
No man no horse No Parrot-2
No road-block ahead-40×60-2009
Reaching Out
53 x 80in, 2010
Shifting Sand
39 x 59in, 2010
tactile Spaces, Textured Grounds-50×75-2010
The Feel of Touch- 3
39 x 59in, 2010
Untitled-31,-45×60-2009
What lies beneath-2
34 x 70in, 2010
What lies beneath-I
34 x 70in, 2010
Where does the Ganga Flow
34 x 59in, 2010
